Documentation of the city of Wetzlar in Hesse at the end of the war in November 1918, including Braunfelser Straße and Silhöfertorstraße. Buildings are decorated with wreaths and garlands of fir br...
The toned footage shows the destruction of the Russian port city of Novorossiisk after being shelled by the Turkish cruiser Midilli (formerly SMS Breslau) on October 29, 1914. The devastating attack w...
Where is Alex? In vain, Alice von Reizenstein searches for her husband until she finally discovers him dead drunk under his desk. Shortly after, the postman brings the couple good and bad news. The go...
Footage from the first German series of news films, the "Day in Film" format produced by Express-Film (Freiburg), showing a bobsledding race with spectators in an Austrian mountain landscape. Short "a...
The newsreel deals with the occupation of the Rhineland-Westphalian industrial area by French and Belgian soldiers. Among other things, footage of the Rhine-Herne Canal is shown, which nationalist gro...
As the daughter of filthy rich parents, a young dentist can afford to treat her patients for free. Her fiancé is dismissive of women's professionalism, claiming that no one would let her treat them i...
The footage produced by Gaumont shows a military parade in Berlin on March 10, 1913, to celebrate the battles that some German states had fought against Napoleonic France 100 years earlier. The milita...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Screenshot from "Heimkehr"
Szene aus "Der Hauptmann-Stellvertreter"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Stilll with Rudolf Biebrach (third from the right)
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (on the left)
Screenshot from "Zwei blaue Jungen"
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...