French language version of a newsreel item on a munitions workers' fête at Saint Helens, April 1918.
French language version of a newsreel item on British troops sitting and eating bread and jam "with proverbial coolness", Western Front, May 1918.
German language version of a newsreel devoted to a review of the British Empire's war effort, 1914-1918.
I. German language version of a newsreel item on Irish fishermen rescued after a U-Boat attack, July 1918. II. German language version of a newsreel item on soda-water production for British troops in...
I. Newsreel item showing the remains of the Cloth Hall and water tower at Ypres, Western Front, March-April 1918. II. French language version of a newsreel item on the Earl of Scarborough inspecting 1...
I. French language version of a newsreel item of an Arab camel train in the deserts of Palestine, late 1917.
French language version of a newsreel item on the state opening of Parliament by King George V, London, 7th February 1918.
I. French language version of a newsreel item on British soldiers chasing and catching turkeys for Christmas at a French farm while the farmer's wife watches, December 1917. II. French language versio...
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Rheinische Filmgesellschaft , Aus eines Mannes Mädchenjahren, Der Kinematograph, 645, (1919), S. 5.
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.