(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
Schlacht bei Soissons und Reims 26.05. – 05.06.1918 ( 3. deutsche Offensive). Besuch von Kronprinz Wilhelm von Preußen bei einem Armee-Kommando; Probefahrt mit erbeuteten englischen Tanks; deutsche...
Feldgeschütze im Beschuß auf feindliche Stellungen; Truppen überqueren am 27.05.1918 auf Notstegen den Fluss Aisne; Blinkerstation im Granattrichter; Deutsche Soldaten und gefangene Franzosen ziehe...
The battle at Armentières. Mortars and artillery bombarding English positions on 9th April 1918; shell impacts on the horizon (barrages), mortar explosions; BUFA film crew advances into battle area, ...
The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
1. Intertitle: Bridges destroyed by the enemy are hurriedly repaired. Image: engineers repair a destroyed bridge. 2. Intertitle: Engineers in rubber suits clear the river bed. Image: engineers clear t...
1. Intertitle: On the advance roads. Image: infantry columns advancing to the front. 2. Intertitle: Rest on the road. 5 minutes sleep. Image: rest on the road. 3. Intertitle: At rest. Image: front-lin...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
,
(Der) Kinematograph, 143/25
Film-Kurier,