Amateur home movie of a family at home - children playing in a garden, on the beach and at a play-park.
Amateur footage of a steamer trip to Rothesay on board the St. Columba.
Amateur footage of a family holiday on Arran, visiting Kildonan and Blackwaterfoot.
Amateur footage of equestrian displays at riding schools.
Glasgow scenes including shots of tenements, the Citizens Theatre, Glasgow Green, St. Enoch's Station, Sauchiehall Street, Paddy's Market, the University, Templeton's carpet factory and Kelvingrove Ar...
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
If there were an ideal-typical Marshall Plan film, "Village without Words) would come very close to it. Surprisingly, in Kurland's film the ideal takes the form of a hymn, a celebration of aid and rec...
Leo Slezak (left), Hans Albers (right) in "Münchhausen" (1943)
Max Schreck (third on the left), Eugen Klöpfer (fourth on the left), Aud Egede-Nissen (on the right) in "Die Straße" (1923)
Gustav Fröhlich, Albert Steinrück (left to right) in "Asphalt" (1929)
Betty Amann, Gustav Fröhlich (left to right) in "Asphalt" (1929)
Albert Steinrück, Else Heller, Gustav Fröhlich (left to right) in "Asphalt" (1929)
Trude Lieske, Betty Amann (left to right) in "Asphalt" (1929)
Hans Albers, Hilde Hildebrand (left to right) in "Große Freiheit Nr. 7" (1944)
Hans Albers in "Große Freiheit Nr. 7" (1944)
Screenplay (excerpt) of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Notes on the script "Der Czardas-König (Die Emmerich-Kalmann-Story)", with handwritten comments by Artur Brauner.
Dialogue list (excerpt) for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Story line of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Internal correspondence regarding "Der Czardas-König (Die Emmerich-Kalman-Story)".
Internal correspondence regarding "Der Czardas-König (Die Emmerich-Kalman-Story)".