The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film.
The video shows the first five minutes of the film. Filme der NS-Zeit sind im Kontext der staatlich beeinflussten Produktion und Rezeption zu sehen. Mehr erfahren »
Karl Freund, Emil Jannings (left to right) while shooting "Der letzte Mann" (1924)
Fritz Rasp in scene from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Marianne Hoppe, Ferdinand Marian (left to right) in "Romanze in Moll" (1944)
"Faust" (1926)
Emil Jannings in "Faust" (1926)
Leo Slezak (second from left), Hans Albers (second from right) in "Münchhausen" (1943)
Hans Albers, Brigitte Horney (left to right) in "Münchhausen" (1943)
Gustav Fröhlich, Joe May (left to right) while shooting "Asphalt" (1929)
An experimental film in the form of a riddle by artist Gillian Steel.
Everyday life in the crofting community of Acharacle, Lochaber, in the 1950s.
Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
German movie poster of "The Farmer and I" (2013-16)
Sangay Rinchen in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)