The video shows the first five minutes of the film. Film synopsis: The little salaried worker Otto Groschenbügel, or Quax, wins free training as a sport pilot in a contest; over night, he gains fame ...
Princess Melani wants to find out more about her husband-to-be and impersonates a maid. Her fiancé pretends to be a secretary. An addlebrained servant is ordered to play the count. His first official...
The video shows the first five minutes of the film. Filme der NS-Zeit sind im Kontext der staatlich beeinflussten Produktion und Rezeption zu sehen. Mehr erfahren »
Film production supported by the British occupation forces as part of the Re-Orientation Program. Set in post-war Germany, the film tells the story of the Stadtmeier couple, who are on their way to vi...
Documentary film with fictional elements. The subject of the film is the economic and social reconstruction achievements of the state of Lower Saxony from 1946 to 1950. These are illustrated primarily...
Szene mit Heinz Schorlemmer (links), Fritz Odemar (3.v.l.), Aribert Wäscher (5.v.l.), Ernst Stahl-Nachbaur (6.v.l.), Leo Peukert (rechts)
Szene mit Eddi Arent (links), Hans Clarin (2.v.l.), Richard Häussler (3.v.l.), Corny Collins (4.v.l.), Klaus Kinski (5.v.l.), Heinz Drache (hinten),
Liselotte Pulver at the opening of the exhibition "Ein guter Freund - Heinz Rühmann zum 100. Geburtstag", October 15, 2002 in the Deutsches Filmmuseum, Frankfurt am Main
Szene mit Margot Trooger (links), Bruni Löbel (3.v.l.), Adrian Hoven (4.v.l.), Carl-Heinz Schroth (6.v.l.), Georg Thomalla (2.v.r.), Werner Fuetterer (rechts)
Roland Jankowsky (back), Helene Grass (back, in the middle), Hubertus Hartmann (on the left), Jochen Picht (in the middle), Heinz W. Krückeberg (front), Nina Proll (on the right) in "Frohes Schaffen ...
On the set of "Iron Box" in Halle on April 20, 2023: Claas Danielsen, Dr. Henrike Franz, Fabian Gasmia, Katharina Dufner, Dr. Harald Steinwender, Carl Bergengruen (back, from left), Britta Marciniak,...
Lorenzen, Ernst und Ewers, Hanns Heinz. „Der Student von Prag.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 140-142. Der Film sei ein Meilenstein, weil er zu...
Instruction regarding secrecy on the screenplay for "Der 20. Juli".