Den stilfærdige Lars Lindstrom bor ved siden af hans bror Gus og hans kone, Emily. Lars passer helst sig selv, og Gus og Emily er derfor glade den dag Lars erklærer, at han har mødt den eneste ene....
Poul is a struggling magician looking for just the right trick to take him to the big time. To get the money to acquire 'The Sawed-in-Half Lady' from Frankfurt he makes a deal with Arne, a shifty insu...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
Little Baby has had good results with her chemistry experiment wherein tiny and innocent cotton balls are transformed into gigantic monsters. She uses her poor baby-sitter Nanni as a guinea pig. Seein...
A twin portrait of two young people, each expressing attitudes towards society and themselves. Be young, be beautiful, be rich and be silly, says the one. - Society never cared a shit about me, says t...
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Hellwig, Albert. "Zur Reform der Filmzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 56-58. Gerichtsassessor A.H. erklärt das mögliche Zustandekommen e...
Internal correspondence regarding "Ein Mann muß nicht immer schön sein".
English dialogue list (excerpt) for "The Death-Ray Mirror of Doctor Mabuse".
Zensur, Oberprüfstelle O.1256, 5 Akte 1700 m. (1703 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...