A semi-posed group of Greek soldiers watches the camera in the centre of the town. The main post office is shown, guarded by Allied troops of varying nationalities, mainly French.
Newsreel item o...
A Serbian officer scans the distance with binoculars as the French gunners set the fuses on their field gun's shells and fire a round. (The caption says the gun is a 75mm, but it appears to be an obso...
The men prepare to fire the gun, elevating the barrel. Then they are shown posed for the camera standing on and around the gun.
American gunners with a French 400mm railway gun, probably near Mai...
The battalion marches in column of fours past the fixed camera, occasionally halting for a few minutes. A shop-boy runs alongside selling chocolate to the men as they march. The battalion is headed by...
The film shows unrelated scenes of Mark IV and Mark I tanks, all from IWM 116 BATTLE OF THE ANCRE or IWM 337 TANKS - THE WONDER WEAPON
Jumbled film of British tanks in the First World War, 1916-1...
The wreck, guarded by British soldiers, is completely burnt out, leaving only the twisted metal structure. Among the wreckage can be seen incendiary bombs, Maxim guns and ammunition belts. The soldier...
The airship takes off from a hovering position just above the sea, filmed from below. It overflies other ships and approaches the Imperator. A message or package is winched up from the ship to the LZ1...
Fragment of a film showing cheering crowds and Medium C Hornet tanks in the streets, probably the Peace Procession in London, 19th July 1919.
"Der Golem, wie er in die Welt kam" (1920)
"Der Golem, wie er in die Welt kam" (1920)
"Der Golem, wie er in die Welt kam" (1920)
Paul Wegener
Paul Wegener
Lyda Salmonova
Poster design
Still from "Rübezahls Hochzeit"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.