I. Spanish language version of a newsreel item on a children's May Day parade through Kent, 1st May 1918. II. Spanish language version of a newsreel item on the break-up of a pacifist meeting in Finsb...
"USA Excursion Steamer Disaster" (208-2) "Rescuers working on the «Eastland» which capsized in the Chicago River", with the loss of over one thousand lives."Training mules for the Army" (208-2) "Mr ...
The toned footage shows the destruction of the Russian port city of Novorossiisk after being shelled by the Turkish cruiser Midilli (formerly SMS Breslau) on October 29, 1914. The devastating attack w...
This fragment of the "Eiko Week," one of the first newsreels produced in Germany, shows soldiers (possibly Russian prisoners of war) surrendering their rifles, infantry in the plains, a unit crossing ...
Where is Alex? In vain, Alice von Reizenstein searches for her husband until she finally discovers him dead drunk under his desk. Shortly after, the postman brings the couple good and bad news. The go...
Footage from the first German series of news films, the "Day in Film" format produced by Express-Film (Freiburg), showing a bobsledding race with spectators in an Austrian mountain landscape. Short "a...
The newsreel deals with the occupation of the Rhineland-Westphalian industrial area by French and Belgian soldiers. Among other things, footage of the Rhine-Herne Canal is shown, which nationalist gro...
As the daughter of filthy rich parents, a young dentist can afford to treat her patients for free. Her fiancé is dismissive of women's professionalism, claiming that no one would let her treat them i...
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Szene aus "Der Hauptmann-Stellvertreter"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Stilll with Rudolf Biebrach (third from the right)
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (on the left)
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...