The camp Nissen huts show damage from the bombs. The women stand around watching. A view of Abbéville (?) with the smoke rising in the background. (The film is broken here by an unrelated scene of sh...
The battalion Transport section cleans and maintains the wagons (note the 'four eights' divisional sign of 32nd Division). The wagons move out through a village. In the blacksmith's yard the horses ar...
The guard changes over outside the battalion headquarters. The battalion sports including "a cuddy fight" (wrestling while being carried on another man's back) and "a reveille race" of dressing in ful...
Princess Patricia's Canadian Light Infantry parade with the standard presented by the Princess, and march to the trenches. They enter heading towards "Prowse Point", the shallow, waterlogged trench wh...
Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
Probably filmed mostly before 8am (as fog is everywhere on the horizon) and on 2nd Australian Division front. Pioneers advance in single file with spades and rifles using white tapes on the ground to ...
The French-made gun (no identification, but possibly a 155mm naval gun) rests in its emplacement with its breech-block removed. The caption says it was destroyed in the Austrian attack which took Belg...
The Cardinal meets regimental chaplains outside a barn marked as a Catholic church. (Note the official photographer, J Warwick Brooke, at work.) The Cardinal walks towards the camera for a posed shot....
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
,
(Der) Kinematograph, 143/25
Film-Kurier,