In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...
The commander of 26th (Yankee) Division, Major-General Clarence R Edwards, stands with Lieutenant-Colonel C M Dowell before their dugout entrance at Bras. Nearby horses of 101st Field Artillery of the...
I. The film starts with US and French troops parading through the Place d'Jena and the Avenue du Président Wilson in Paris on 4th July, followed by French troops clearing up bomb damage after a Germa...
The film opens with a French and US soldier shaking hands, fading into a statue of Lafayette with Washington. Scenes of American troops disembarking at a harbour to substantiate the claim that there a...
At Rouen the King poses for a group photograph with Field Marshal Haig, Marshal Foch and General Pétain. At Third Army headquarters, Frohen-le-Grand, later in the day he decorates three men with the ...
Mr Gompers with two other labour leaders comes up the ladder and onto the quarterdeck of HMS Queen Elizabeth. Admiral Sir David Beatty is there with his staff to shake hands and meet him.The King and ...
The celebrations involve an Italian contingent parade and marchpast, chiefly of the field guns, watched by the contingent's commander, General di Robillant. A posed group of General Peppino Garibaldi,...
I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
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(Der) Kinematograph, 143/25
Film-Kurier,