I. 'OBSEQUIES OF THE KING'S UNCLE. Prince Christian buried with full military honours in St. George's Chapel Windsor.' HA as military band (men of the 2nd Life Guards and Coldstream Guards) approaches...
The hearses, with an escort of sailors, enter the cemetery. One coffin, draped with a Union Jack, is taken from its hearse to its burial plot. An Army burial party fires shots over the grave. One woma...
Little Momi’s father has left to be a soldier and his letters are eagerly anticipated by his family at home. In one of them he recounts the adventure of little highlander Berto, who saved his mother...
I. MS of group posed for the camera - Amelie is a tall woman, taller than the two civic dignitaries who stand to either side. The ex-Queen inspects the Guides (they are very young - Brownies ?). A sma...
I. 'Admiralty Official Film. "GUN POWER" The enemy has already learned how terrible is our gun power. Here the great guns of a super battleship are trained seaward where floats the greatest assembly o...
I. 'THE VICTOR OF JERUSALEM. General Sir Edmund Allenby who has rescued the Holy City from Turkish domination, reviews one of our mounted brigades.' Aids hold General Bailloud's horse as he mounts. MS...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
The film uses wire-controlled cutout shapes, white on a black background, to demonstrate in plan view a column of three lorries driving too close together down a road and colliding in a shunting accid...
Screenshot from "Heimkehr"
Dagny Servaes, Adolf Klein, Ernst Hoffmann, Heinrich Schroth, Käte Haack (v.l.n.r.)
Film poster
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (in the middle)
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Still with Rudolf Biebrach (on the left)
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...