The column of horsemen crosses the drift towards the camera. One officer has his Indian servant riding beside him. The horses are noticeably in poor physical condition. The men are carrying rifles, ra...
'PATRIOTS AT CHAMPIGNY: The annual pilgrimage at Champigny la Bataill organised by M. Maurice Barres to honour the Patriots who have died for their Country'. The procession makes its way past the ceme...
British soldiers are engaged in a fire-fight at close range with Boers on high ground above them. One of the Boers gets close enough to a British soldier to touch him before falling hit. The Boer asks...
I. 'ON THE CAMBRAI FRONT. Rushing up ammunition, building new roads and consolidating our gains.' Artillery limber crosses muddy ground at the gallop, while another stands in mid-screen, apparently bo...
The map, in stop-frame action, shows the German invasion of France and Belgium in 1914, followed by a more detailed version of the Allied advance to victory between July and November 1918. The Allied ...
Most people in the races are wounded soldiers. A wheelchair race for cripples or amputees (one man falls out of his chair). A three legged race for nurses and patients in pairs, with the patients faci...
British soldiers dig the bombs out of the ground. A major turns one over in his hands (they are quite small).
Newsreel item on German incendiary bombs dropped near Faversham, Kent, March 1915.
A group of children, under the direction of two or three adults. Each takes a wicker basket and picks the blackberries from nearby bushes. One of the adults stands by a grocer's van with a Ministry of...
Screenshot from "Der beste Schuß"
Heinrich Schroth
Still with Rudolf Biebrach (in the middle, front)
Still with Rudolf Biebrach (on the right)
Screenshot from "Ihr Unteroffizier"
Screenshot from "Zouaves d’Afrique dans les Flandres Belges"
Screenshot from "Michel und Viktoria"
Screenshot from "Oorlogsannalen No. 85"
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...