The Germans are from various branches and include some Austrians. The first camp is a large school or similar institution, with additional wooden huts built on its grounds. One group of officers poses...
The crews, of 203 Squadron, say goodbye to their families at the water's edge and take launches out to their flying boats. A number of newsreel cameramen, including one on a Pathé sound van, record t...
I. 'THE FIGHTING DUMMY. C.S.M.I. Kenna invents a new method of teaching how to bayonet "Brother Boche".' MS of Kenna with rifle and bayonet as he dances about a dummy figure holding a wooden lance, th...
I. 'QUEEN AND MUNITIONETTES. The girl War Workers of Coventry gave Her Majesty a rousing welcome. She was deeply interested in all phases of their life.' The Queen, accompanied by company dignitaries,...
A congregation including Robertson and the trainees comes out of King's College Chapel after a service. Robertson watches a drill demonstration on the backs at King's by the trainees, and presents dec...
The battery canters into a field and unlimbers, deploying its guns, then relimbers and canters off. The battery canters in column head-on out of the field and turns away when close to the camera. One ...
The film depends for its effect on stop-action camera tricks. It opens with 'President Kruger' of the Transvaal Republic gloating over a bust of himself. Beside him, a large placard reads "On Majuba D...
The cartoonist draws the figures of the Kaiser "Bill" and the Crown Prince "Billie". They play with a U-boat in a water bowl until a cargo ship marked "NOOTRAL" ('neutral' in US pronunciation) blocks ...
Screenshot from "Der Erfinder"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Szene mit Rudolf Biebrach (vorne)
Still with Rudolf Biebrach (on the right)
Screenshot from "Heimkehr"
Szene mit Carl Zickner (vorne, links)
Still from "Tirol in Waffen"
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...