I. 'OBSEQUIES OF THE KING'S UNCLE. Prince Christian buried with full military honours in St. George's Chapel Windsor.' HA as military band (men of the 2nd Life Guards and Coldstream Guards) approaches...
The hearses, with an escort of sailors, enter the cemetery. One coffin, draped with a Union Jack, is taken from its hearse to its burial plot. An Army burial party fires shots over the grave. One woma...
Little Momi’s father has left to be a soldier and his letters are eagerly anticipated by his family at home. In one of them he recounts the adventure of little highlander Berto, who saved his mother...
I. MS of group posed for the camera - Amelie is a tall woman, taller than the two civic dignitaries who stand to either side. The ex-Queen inspects the Guides (they are very young - Brownies ?). A sma...
I. 'Admiralty Official Film. "GUN POWER" The enemy has already learned how terrible is our gun power. Here the great guns of a super battleship are trained seaward where floats the greatest assembly o...
I. 'THE VICTOR OF JERUSALEM. General Sir Edmund Allenby who has rescued the Holy City from Turkish domination, reviews one of our mounted brigades.' Aids hold General Bailloud's horse as he mounts. MS...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
The film uses wire-controlled cutout shapes, white on a black background, to demonstrate in plan view a column of three lorries driving too close together down a road and colliding in a shunting accid...
Still with Rudolf Biebrach (lying)
Screenshot from "Zwei blaue Jungen"
Screenshot from "John Bull"
Maria Immhofen (in the middle), Olaf Fønss in "Die Vernichtung der Menschheit" (1916)
Screenshot from "Heimkehr"
Szene mit Rudolf Biebrach (auf Pferd)
Screenshot from "Harry wird Millionär"
Still from "Tirol in Waffen"
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.