I. 'OBSEQUIES OF THE KING'S UNCLE. Prince Christian buried with full military honours in St. George's Chapel Windsor.' HA as military band (men of the 2nd Life Guards and Coldstream Guards) approaches...
The hearses, with an escort of sailors, enter the cemetery. One coffin, draped with a Union Jack, is taken from its hearse to its burial plot. An Army burial party fires shots over the grave. One woma...
Little Momi’s father has left to be a soldier and his letters are eagerly anticipated by his family at home. In one of them he recounts the adventure of little highlander Berto, who saved his mother...
I. MS of group posed for the camera - Amelie is a tall woman, taller than the two civic dignitaries who stand to either side. The ex-Queen inspects the Guides (they are very young - Brownies ?). A sma...
I. 'Admiralty Official Film. "GUN POWER" The enemy has already learned how terrible is our gun power. Here the great guns of a super battleship are trained seaward where floats the greatest assembly o...
I. 'THE VICTOR OF JERUSALEM. General Sir Edmund Allenby who has rescued the Holy City from Turkish domination, reviews one of our mounted brigades.' Aids hold General Bailloud's horse as he mounts. MS...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
The film uses wire-controlled cutout shapes, white on a black background, to demonstrate in plan view a column of three lorries driving too close together down a road and colliding in a shunting accid...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
Wide shot of a corridor. Corporal Bartoněk (actor: Jiří Vondrovič) is standing on the right with an arm in a cast and bandaged eyes. Infantryman Tlamicha (actor: Theodor Pištěk) is standing next...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Arthur Loening, Ein Friedensfilm, Lichtbildbühne, 50, (1918), S. 40 & 56. Der Film greife die aktuelle Sehnsucht nach Frieden auf. Wie aber der Westfälische Frieden einen Machtzuwachs für Frankreic...
Deutsche Lichtbild Gesellschaft e.V., Der Friedensreiter, Der Kinematograph, 618, (1918), S.22-23.
Der deutsche Film für das Ausland, Der Kinematograph, 620, (1918). Es sei Aufgabe der deutschen Filmindustrie, den negativen Vorstellungen über Deutschland, die im Ausland im Krieg verbreitet worden...
Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...
Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...