A patriotic drama played by one of the most beloved actresses of early Italian cinema: Mary Cléo Tarlarini is Mary, a high society lady who devotes all her dedication to the Italian patriotic cause, ...
Diana is assigned to find out the details of the enemy's war tactics. Together with her partner in crime, Robertson, she manages to get in touch with Captain Argo and retrieves secret information. All...
Miss Lo leaves finishing school and returns to her parents’ hotel “Zum Weißen Schwan”. One of the chambermaids eloped with the bellboy and now the daughter has to help out – sometimes as a ma...
Cretinetti is about to get married and he could not be any happier and more in love with his Junoesque consort. But just on the day of his wedding, he reads a notice on the wall explaining how to beha...
A town in Macedonia is under German occupation. The end of the war is very near. In these last days of occupation the inhabitants of the town release some Russian and Italian soldiers. The German comm...
Emperor Karl and Empress Sofia arrive by train at the station in Sofia. The royal couple is welcomed by Ferdinand I. of Bulgaria, Crown Prince Boris and Duke Cyrill. Karl reviews the guard of honour. ...
Corporate film for the Stearine Candle Factory in Gouda Corporate film for the Stearine Candle Factory in Gouda, with shots of the building complex and the production process. The film ends with a sho...
The film, a greatly suggestive documentary on landscapes, owes some of its happiest moments to the phantom ride technique, which makes use of the momentum of shots taken with the camera mounted on mov...
Screenshot from "Der Erfinder"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Szene mit Rudolf Biebrach (vorne)
Still with Rudolf Biebrach (on the right)
Screenshot from "Heimkehr"
Szene mit Carl Zickner (vorne, links)
Still from "Tirol in Waffen"
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...