Germany, summer of 1914: Far from the horrors of World War I, 24-year-old farmer's wife Luise lives alone on a remote farm in Alsace, then part of Germany. But one day, a young French woman named Hél...
The Red BaronDramatized filmic biography about legendary pilot Manfred von Richthofen, who was nicknamed "The Red Baron" for his red-painted fighter plane. During World War I, Manfred von Ri...
Documentary on the effects of globalization. For a long time, the world divided itself between those with property and those who had nothing. Or to put it differently: between the industrialized natio...
Europe, during World War II. Ever since French Jew Shosanna Dreyfus had to watch how a group of Nazis murdered her family, she has also one thing in mind: She wants to take revenge. Disguised as a cin...
Documentary film about Peter Handke (*1942), one of the most famous contemporary Austrian writers. With works such as the play "Offending the Audience" (1966) and the novel "The Goalkeeper's Fear of t...
Consisting mainly of intertitles, the images show somehting of the animal world in one of the worlds earliest Nationalparks (1914)
The video shows the first five minutes of the film. Film synopsis: When Hamburg ship's mate Klaus Brandt catches a thief one night at the port, his downfall is pre-ordained. For the thief turns out to...
BedbugsRocky used to be a known womanizer. Although almost fifty and way beyond his prime, he still hits on much younger women – with little success, for his view of the other sex has aged just as b...
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Szene aus "Der Hauptmann-Stellvertreter"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Stilll with Rudolf Biebrach (third from the right)
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (on the left)
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...
Staat und Kino, Der Kinematograph, 514, (1916), S. 11-12. Erörterung der Idee, der Staat könne die Filmproduktion in seine Hände nehmen. Als Beispiel wird die Eisenbahn genommen, die auch zunächst...
Ludwig Brauner, Die kommende Geschmackswandlung, Der Kinematograph, 593, (1918), S. 15-16. Erörterung des Publikumsgeschmacks. Gegenwärtig sei vor allem Ablenkung vom Kriegsalltag gefragt, jedoch li...
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...