One of the officers plays briefly outdoors with a parrot on its perch. Two officers with a theodolite on a tripod survey the area. Indoors a RNVR lieutenant makes fine adjustments to a set of scales b...
The film starts with a Belgian town in flames, and civilians lying dead in the streets. A terrified young mother with her baby is encountered by two drunken German soldiers, one carrying a smouldering...
The footage produced by Gaumont shows a military parade in Berlin on March 10, 1913, to celebrate the battles that some German states had fought against Napoleonic France 100 years earlier. The milita...
Apparently compiled in retrospect of World War I, the reel contains footage from various phases and theaters of the war. The footage includes artillery in action, advancing infantry, a machine gun pos...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
The film mainly shows monarchs, including the Austrian Emperor Franz Joseph I at a military parade in Vienna in 1910, the Austrian Archduke Franz Ferdinand walking in the park at Reichenau, the German...
The footage shows parts of the funeral ceremony for Auguste Viktoria, wife of Kaiser Wilhelm II, in the Temple of Antiquity at Sanssouci Palace in April 1921. In the foreground is the coffin's process...
Version with Dutch intertitles. Germany during World War I. To give the soldiers at the front a little courage to face life, the girls from home regularly send them gifts of love. Wendelin Liebreich, ...
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Szene aus "Der Hauptmann-Stellvertreter"
Screenshot from "Heimkehr"
Screenshot from "Heimkehr"
Stilll with Rudolf Biebrach (third from the right)
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (on the left)
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...
Staat und Kino, Der Kinematograph, 514, (1916), S. 11-12. Erörterung der Idee, der Staat könne die Filmproduktion in seine Hände nehmen. Als Beispiel wird die Eisenbahn genommen, die auch zunächst...
Ludwig Brauner, Die kommende Geschmackswandlung, Der Kinematograph, 593, (1918), S. 15-16. Erörterung des Publikumsgeschmacks. Gegenwärtig sei vor allem Ablenkung vom Kriegsalltag gefragt, jedoch li...
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...