Tillett, in raincoat, helmet and gas mask satchel, talks to gunners transporting stores in horse-drawn wagons at Hellfire Corner, on the Menin Road out of Ypres. He goes on to talk to other soldiers, ...
Australian sappers wearing shrapnel helmets dig a trench system traced out with a line, shoring up the completed trenches with corrugated iron and A-frames, and fitting duckboards. An Australian diggi...
A Scottish cyclist battalion on a wooded road. A French 75mm field gun limbered up but stuck in a ditch, with French and British troops trying to free it, probably Arras area. A battalion on the march...
A series of explosions in an open field (no indication of scale). British gunners loading and firing a 9.45-inch 'flying pig' mortar, repeated several times and filmed from various angles and distance...
A kite balloon is positioned by RFC ground staff and ascends over a small village. The view down from the basket and a (faked) close-up of the observer and signaller spotting from the basket. A 60-pou...
French soldiers show US troops, led by a lieutenant-colonel, the correct method of building a command post dugout - a large, solid and permanent structure. German prisoners lined up for the camera are...
The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
Firstly, a column of Infantry marching through a town showing shell damage - the light values have been set wrongly and the film is far too dark. This is followed by British, or possibly Canadian, sol...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
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(Der) Kinematograph, 143/25
Film-Kurier,