I. Spanish language version of a newsreel item on the march of half of 38th (Jewish) Battalion, Royal Fusiliers, past the Lord Mayor in London, 4th February 1918. II. Spanish language version of a new...
A band leads a crowd of people through the streets of the town. De Valera and Countess Markievicz address the crowd, two of whom are waving Sinn Fein tricolours.Soldiers unload whole carcasses of meat...
The men, in their hospital blue uniforms, board the pleasure cruiser. They are given cups of tea up on deck by the women looking after them, and later they sit down to a meal.
I. French language ...
Two German prisoners posed carrying Maxim machine guns. Scottish troops in a 3-ton lorry, which tows away a captured German 77mm field gun. A kilted Highland battalion on the march. A French colonial ...
A pan over the wooden-hutted camp, with a few soldiers in the distance. The caption reads "Where they cannot pillage - German soldiers 'lock up' at Bergen" (see notes).Four soldiers gather around a br...
All three Guards brigades were at the inspection. The film opens with the men, including the massed bands of the division, assembling in position. Connaught arrives on horseback with an escort of Indi...
An unarmed Mark IV Male crushes barbed wire as soldiers mark its progress. An unarmed Mark IV Female comes up to the camera. Tank crews perform maintenance on "HMLS Daphne" (from IWM 116 BATTLE OF THE...
I. A group of four Dutch Army officers (Luitenant-kolonel Jonkheer J.H. Roëll, Generaal-majoor T. Burgers, Kapitein J.W. van Oorschot and a military attaché) with two British escorts walking over th...
Szene mit Jackie Monnier (Mitte)
59 x 84 cm
Szene mit Gustav Diessl (rechts)
Claus Clausen (rechts)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
Hans Joachim Moebis, Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
There was not any kind of restriction noted.
,
,
(Der) Kinematograph, 143/25
Film-Kurier,